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Siddhant Adlakha

Siddhant Adlakha

Siddhant Adlakha is a filmmaker, television writer and film critic based in Mumbai and New York. Follow him on Twitter: @SidizenKane

  • @SiddhantAdlakha
Four people sit together on a picnic blanket in a grassy field beneath a yellow-and-white striped umbrella.

Screening at TIFF: Arie and Chuko Esiri’s ‘Clarissa’

By Siddhant Adlakha
Woman seated alone at a dining table in a dimly lit room, with breakfast dishes arranged before her.

Screening at Venice: May el-Toukhy’s ‘Woman Unknown’

By Siddhant Adlakha
Woman running through a narrow stone alley, wearing dark tactical clothing and carrying gear.

Screening at Venice: Halkawt Mustafa’s ‘No Paradise If You Are Killed By a Woman’

By Siddhant Adlakha
Close-up of a woman and man seated together, both looking tense and serious.

Screening at Venice: Nicolas Pariser’s ‘One Minute to Midnight’

By Siddhant Adlakha
Men in hardcore medical masks and carrying weapons lead a handcuffed man in a yellow shirt through a dark, misty forest

Screening at Venice: Phuttiphong Aroonpheng’s ‘The Burning Giants’

By Siddhant Adlakha
A woman wearing a dark outfit sits at a table in a dimly lit room, with a bald man in a suit in the background, captured in black and white.

In Paweł Pawlikowski’s ‘Fatherland,’ Thomas Mann’s Divided Germany Is a Study of Artistic Compromise and Family Rupture

By Siddhant Adlakha
A close up film still of an out of focus man's face in the foreground and a pensive woman's face in the background

Rachel Rose’s ‘The Last Day’ Is a Powerful Rumination on Modernity

By Siddhant Adlakha
A dimly lit image of bunch beds where people covered in angular purple sheets lay

Michael Gallagher’s ‘The Leader’ Drops the Ball Dramatically

By Siddhant Adlakha
A close-up film still shows a group of young men in military-style uniforms crowded tightly together, shouting and laughing around a central figure.

Lukas Dhont’s ‘Coward’ Renders Queer Desire Against the Machinery of War

By Siddhant Adlakha
Two teenagers descend an outdoor staircase in Italy.

Screening at Cannes: Marine Atlan’s ‘La Gradiva’

By Siddhant Adlakha
A young man with curly hair wearing a green military-style shirt sits in a tiled room, playing a brass trumpet with his eyes closed, focused on the instrument.

Screening at Cannes: Los Javis’ ‘La Bola Negra’

By Siddhant Adlakha
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