Novelistic and abstruse, the film—named for Woolf's nostalgic middle-aged socialite, Clarissa Dalloway—unfolds with the very same stream-of-consciousness telling as the original text.
Fall programming across the city spans not only TIFF and a biennial but also Melissa Auf der Maur's unfiltered '90s tour photography, a scaled-down survey of Impressionist masterworks and a sound installation built from 600 brass bells.
For the 2026 edition, 30 artists and collectives will explore the idea of rupture as a generative force, expanding the exhibition beyond Toronto via waterways, public spaces and cross-border collaborations.