Screening at TIFF: Arie and Chuko Esiri’s ‘Clarissa’
Novelistic and abstruse, the film—named for Woolf's nostalgic middle-aged socialite, Clarissa Dalloway—unfolds with the very same stream-of-consciousness telling as the original text.
Nikki Amuka-Bird
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‘Knock at the Cabin’ Review: Masterfully Made, But Forgettable
In M. Night Shyamalan's latest a family is held captive and told the fate of the world requires them to sacrifice one of their own. The direction shines and the script is obvious — but what else is new?
‘Persuasion’ In Modern English? What’s the Problem?
Do we a stuffy period adaptation just so an older generation can feel we’re appropriately paying tribute to Jane Austen’s work?
