Screening at TIFF: Arie and Chuko Esiri’s ‘Clarissa’
Novelistic and abstruse, the film—named for Woolf's nostalgic middle-aged socialite, Clarissa Dalloway—unfolds with the very same stream-of-consciousness telling as the original text.
Virginia Woolf
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Rachel Rose’s ‘The Last Day’ Is a Powerful Rumination on Modernity
In mining her most intimate anxieties, as a mother and a creator, she arrives with one of the year's most striking debuts, which builds quietly but assertively to an archly edited climax of poignant reflection.
One Fine Show: “Sophie Calle, Something Missing?” at the Louisiana Museum of Modern Art
Across several disparate bodies of work, the artist returns to the same question: what is lost, and what remains, when an image stands in for an experience.
